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Velázquez, Diego Rodriguez de Silva 1599 - 1660Tag:topart  |  Update Date:2009/4/25 20:47:36  |  Browse:225
Diego Rodríguez de Silva y Velázquez (June 6, 1599 – August 6, 1660) was a Spanish painter who was the leading artist in the court of King Philip IV. He was an individualistic artist of the contemporary baroque period, important as a portrait artist. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece Las Meninas (1656).
Antolinez, Jose 1635 - 1675Tag:picture frame  |  Update Date:2009/4/25 20:47:00  |  Browse:240
Spanish painter active in Madrid, where he was the equivalent of Murillo in Seville. In his genre scenes the influence of Velazquez, as well as that of Murillo, is evident - e.g. The Picture Seller (Munich) - but his style derives from the Venetians and from Rubens. He specialized in the typically Spanish subject of the Immaculate Conception, of which at least twenty-five versions by him are known. He also painted portraits. There are works in Amsterdam, Barnard Castle (Bowes Museum), Copenhagen, Dublin, Madrid, Oxford (Ashmolean) and Seville.
Antolinez, Jose 1635 - 1675Tag:picture frame  |  Update Date:2009/4/25 20:45:33  |  Browse:151
Spanish painter active in Madrid, where he was the equivalent of Murillo in Seville. In his genre scenes the influence of Velazquez, as well as that of Murillo, is evident - e.g. The Picture Seller (Munich) - but his style derives from the Venetians and from Rubens. He specialized in the typically Spanish subject of the Immaculate Conception, of which at least twenty-five versions by him are known. He also painted portraits. There are works in Amsterdam, Barnard Castle (Bowes Museum), Copenhagen, Dublin, Madrid, Oxford (Ashmolean) and Seville.
Richards, William Trost 1833 - 1905Tag:oil painting  |  Update Date:2009/2/23 10:50:09  |  Browse:194
1833–1905, American painter, b. Philadelphia, studied in Florence, Rome, and Paris, and settled in Germantown, Pa. Early in his career he painted landscapes and still lifes, but a year after buying a house in Newport, R.I. (1866), he turned to marine paintings. His light-struck seascapes, which follow in the tradition of luminism, are highly realistic. His work was long neglected, but interest in it revived in the last decades of the 20th cent.
Reid, Robert 1862 - 1929Tag:oil painting  |  Update Date:2009/2/19 19:27:39  |  Browse:202

Robert Lewis Reid (July 29, 1862 – December 2, 1929) was an American Impressionist painter and muralist.

Reid was born in Stockbridge, Massachusetts and attended the School of the Museum of Fine Arts, Boston under Otto Grundmann, where he was also later an instructor. In 1884 he moved to New York City, studying at the Art Students League, and in 1885 he went to Paris to study at the Académie Julian.

Moran, Thomas 1837 - 1926Tag:oil painting  |  Update Date:2009/2/19 13:45:31  |  Browse:119
Thomas Moran (February 12, 1837 - August 25, 1926) from Bolton, England was an artist of the Hudson River School who often painted the Rocky Mountains. Thomas Moran’s vision of the Western landscape was critical to the creation of Yellowstone National Park. Thomas Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Metcalf, Willard Leroy 1858 - 1925Tag:oil painting  |  Update Date:2009/2/19 9:51:41  |  Browse:111
Willard Metcalf, or “Metty” as he was called by his artist friends, found his artistic voice while staying with Miss Florence in Old Lyme. His painting May Night (1906), that shows the front of Miss Florence’s house on a starry spring night, won him prizes and fame when it was exhibited in Washington, D.C. in 1907.
Mattelson, MarvinTag:oil painting  |  Update Date:2009/2/18 19:24:01  |  Browse:143
In addition to being an award winning portrait artist, Marvin Mattelson has created a "career altering" approach to teaching oil portrait and figurative painting which is both broad in scope yet simple to comprehend. Marvin is an acknowledged master artist and communicator who leads oil painting workshops around the country. He also teaches ongoing painting classes in New York City at the School of Visual Arts, in both the undergraduate and continuing education programs.
Mann, LindaTag:oil painting  |  Update Date:2009/2/18 17:06:11  |  Browse:91
Larson, Jeffrey T. 1962 -Tag:oil painting  |  Update Date:2009/2/18 11:44:14  |  Browse:106
Jeffrey T. Larson was born in 1962 in Two Harbors, Minnesota and grew up in the Twin Cities. Jeffrey has been trained in the manner of the Old Masters at the prestigious Atelier Lack, a studio /school whose traditions and training methods reach back through impressionism and the 19th centuries French academies. He followed his four-year training with museum study in the United States and abroad.
Knight, Louis Aston 1873 - 1948Tag:oil painting  |  Update Date:2009/2/17 18:29:06  |  Browse:119

Son of acclaimed American artist, Daniel Ridgeway Knight, Louis Aston Knight studied under his famous father as well as Jules Lefebvre and Tony Rober-Fleury. Knight’s panache for landscape painting, no doubt influenced by his father, afforded him success in the Paris Salons and in the provinces, as well as in the United States. His awards include several gold medals in Paris, including at the Exposition universelle. He was the first American to win two gold medals at the Salon in two consecutive years. In 1927 he was made an Officier of the Legion d’Honneur.

Though Knight is most famous for his French landscapes, and for paintings set in New York, Florida and California, House at Lebanon New Jersey uniquely depicts a New Jersey scene. The viewpoint of this painting comes from the water – an appropriate perspective for Knight, being that he was known to put on rubber fishing boots and paint with on an easel set up in the water in a plein-air approach to painting. The viewer can almost imagine Knight at work at this piece, actively engaged in studying the flow of the stream around him as he takes in the majestic Lebanon house.

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